But still, wouldn’t it be nice to know the explicit meaning of the Monolith, that gigantic slab that revved evolution into fast-forward? In a making-of doc on the 2007 reissue of the film, Clarke explained: “The Monolith was essentially a teaching machine. An essay on man’s destiny, the film was for some of its late-’60s viewers a light show, a head trip, needing no earthbound explanations.
What’s happening at the beginning? What goes on at the end? Not many science fiction films encourage the audience to ask those questions, as 2001 did. “The decision rests with you.” In other words, try to be as peaceful as we, your superiors, are - or we’ll kill you.Ģ001: A SPACE ODYSSEY, 1968. But if the military belligerence of Earth’s nations extends into outer space, then robots like Gort will destroy our planet. At the end, Klaatu leaves Earth with one last message: All nations must live in peace.
2015 MOVIES ABOUT ARTIFICIAL INTELLIGENCE MOVIE
The movie also sends a plethora of mixed messages, such as: Don’t trust your government trust an alien with elegant bone structure and a posh English accent. Carpenter,” befriends a nice widow (Patricia Neal) and, during a global shutdown of electrical power - the half hour the Earth stands still - tells her that, if he’s apprehended, she must sneak onto the spaceship and give Gort this message: “Klaatu barada nikto.”Ĭannily fusing flying-saucer paranoia with the Christian parable of the Second Coming, The Day the Earth Stood Still establishes Gort and his kind as servants instead of uncontrollable rebels. Escaping from the military hospital where he is confined, he assumes the earthly name “Mr. will have none of that: a soldier shoots him. Accompanied by his giant robot Gort, Klaatu has come in peace, but the Cold War U.S. The first known alien visitor to Earth, in the first A-budget science-fiction film from a major Hollywood studio, is a Christ figure - Michael Rennie’s Klaatu - whose spaceship lands in Washington, D.C.’s President’s Park. North, from the story “Farewell to the Master” by Harry Bates. Here are seven of our favorites, spanning seven decades and the spectrum of man’s feelings - fearful, wondrous - about the smartest machines man has created. P.s.(READ: Corliss’s review of Transcendence) And i think thats what Kubrick wanted ,Spielberg is more like the family and feeling director while Kubrick is more the Horror director…and i think Kubrick wanted to give something to the world to feel before he passed out ,to prove that he can make more than scare people cuz no matter how scary your movie is ,a movie with feelings will always be longer remembered Thats why he first wanted Spielberg to make the movie.
How useless, over the top or mindf*ck a scene is (and i know this here is a hard one) ,like when jurrassic world started i was like ok why is there a park on the same damnīut AI is one of those movies where you have to forgot anything about logic no matter I would still like it.I am normally the guy questioning everything logical about a movie I actually liked the ending…dont get me wrong the logic their comes from hellīut even if these aliens things would start with backround dancing
0 kommentar(er)
